Showing posts with label Editing. Show all posts
Showing posts with label Editing. Show all posts

Monday, June 11, 2012

School Unity! ...Sorta

School Unity HallowSpell Comic
Click for Full Size @ DeviantArt

So yeah... That last comic I posted? Here's what it turned into.

I came to the realization last week that between having too many characters, too much build up, and too little payoff, that other comic wasn't going to work. I needed to cut the fat (even though I kinda loved the prefect...he might be making a return ;D) and refocus on what really mattered; mainly my main character and her story(s). Sound familiar to anyone?

But yeah, here's Hallow Chandler. Named halfly from my username (HallowSpell149) and halfly after Tris Chandler (who you should totally recognize by now), the most awesomest red-head ever. I debated showing her first reactions to the sorting, but I figured that was nothing new. A lot of people have been surprised/disappointed at their sortings, and I don't think I could bring anything original to the table. So instead we have Hallow a little while after settling in. Not to worry, we'll no doubt encounter some of her misgivings in the future.

Possibly a major factor in creating this comic is the fact that the majority of my RL friends (including my sister) are Slytherins, and it's really fun to egg them on. The next comic may or may not address some retaliation. It's so much fun to torture characters.

So, what do you think? Have an idea for a fun (and easy to draw) story line? 
Feel free to leave a comment below!

Also, if you do feel inclined to friend me on Pottermore, please comment or contact me somehow to tell me your username so I can nickname you first! 
I'm really trying not to have random nameless friends on there.




Monday, May 21, 2012

No Shortcuts

Ever since I joined Pottermore and was sorted into Hufflepuff, much to my initial surprise and disappointment, (I've since come to terms with my placement and embraced it) I've wanted to make a comic about it. I mean, what better premise than a girl who hates sunshine, plants, and yellow who is thrown into an environment filled with all three?

Unfortunately, I was not blessed with the artistic bug - at least not visually - and my sister, the artist of the family, is busy with her own projects, so mine fell by the wayside.

Until last week when I decided I'd give it a shot. Hence my absence...

I mapped out the first comic completely. So it was on the back of a library receipt, it didn't have to be perfect, right? Here's basically what the first panel looked like.


Then I took it to paper.


I figured I should be able to sketch out my comic then photograph/scan it in and do only minor tweaking. Thing is, I'm a little too much of a perfectionist and my 'minor tweaking' turned into completely re-tracing it. Which would be fine, if I had a tablet or something, but no, I just have a standard mouse.


So there I was, panel one completed, except for the text. It had only taken 8 hours.

Yeah, 8 hours.

UGH! At that rate, it was going to take forever. Might as well scrap it.

But then I thought, maybe I could streamline everything, just use the line and circle tools to cut out some of the steps. And then I'd be ahead of the next panel through the magic of copy/paste.

So I started over and came up with this.


Not very pretty. And the real kicker is that it took me just as long to do! And I'm still not happy with it.

Serves me right for looking for shortcuts and still expecting quality work.

Now I just have to decide if I'm still willing to put the effort in, or if I should scrap it and leave it scrapped. Why does XKCD make it look so easy?!

Monday, April 9, 2012

Critic vs Writer - An Attempt Towards Reconciliation

{Originally posted on DeviantArt}

I am a book blogger.

Since not everyone is familiar with the term, I'll go ahead and lay it out for you. I read, analyze, and write about books. I give my opinion on characters, setting, genre, style, and sometimes even covers. I say what works, what doesn't, and what I'd like to see.

In short, I criticize.

Back - back foul demon! Burn the witch! Don't come anywhere near me!

Yeah, I know you're all thinking it. What gives me the right to rifle through someone's hard work and put its flaws on display? Who do I think I am, slandering authors with false interpretations and quotes made out of context?

I'm a writer.

Yeah, of nothing but muck and lies.

No, no, I mean I write my own fiction. Or at least I did.

What, couldn't take some of your own medicine?

Yes and no.

Huh?

Like most writers, I crave exposure. I want my work out there, read by the masses and enjoyed. DeviantArt, my blog, they're both small outlets where my writing can be seen.

But, as most writers have discovered, exposure can be a double-edged sword. With the good results (loved it! you're great!) come the bad (wow, this is horrible! use spell check next time!). These one sentence wonders are usually good for a 2-minute burst of joy/anguish, then are forgotten.

Moving past these frivolous 'reviews', we move into the longer, more thought-out comments that every writer craves. Unfortunately, you can still get long, eloquent descriptions of how you stink. Case in point, here's a comment on one of my pieces I'd written for class, revised for a challenge, and posted on DA:



Ouch.

Out of all of the critiques I received on that piece (10 plus replies), his by far hit me the hardest. It was actually hard enough that I wrote a scathing reply about how nothing said was constructive and he stunk as a reviewer. Not quite in that language, but that was the gist. I was hurt and I didn't care who knew.

That's right, I've been there.

So why the hell would you do that to us/other writers?

I'm not finished.

There are also critiques that are actually helpful, more along the lines of, "I liked this, but I didn't understand that," or, "I think you need to work on your dialog tags - it feels choppy when you use he said she said over and over again," or, "I wish there was a bit more buildup to the kiss - I didn't feel it was believable quite yet." These offer that blessed balance of good and bad that gives the writer encouragement, while still pointing out their weak spots.

This is the kind of critique I try to give every time I write. "I really liked ___, it made this a joy to read. Unfortunately, I wasn't feeling ____ which was kinda distracting. But on the whole, I think you have a great plot/character/style and I hope to see more from you in the future."

Well, that's not so bad...

Right?

But what about stuff that's already finished and published? They can't go back and fix what you catch! You're attacking defenseless authors & books at that point.

Firstly, I'm flattered that you think best-selling authors are reading or feeling the backlash of my reviews. And even those independent authors are tougher than you think.

Secondly, I treat my reviews just like I do my critiques. I try my hardest to present the good with the bad. And if that fails, I emphasize emphatically that I'm stating an opinion which is solely my own and may in all likeliness differ for other people.

Yeah right.

Okay, here's an example I handled just recently. Over the course of two days I read Crushed by K.C. Blake, an independently published book that she sent me for review. I didn't like it.

I never connected with the main characters, I noticed a couple continuity errors, and I thought there needed to be a lot more polishing overall. I also had a personal issue with the way the main character handled one situation. And I wrote as much in my review.

At the end of my reviews, I always have an Overall & Recommendation section in which I summarize my feelings and generalize who I think would enjoy that book. Here was my final summary for Crushed:



I posted the full review here, GoodReads, and DA, plus the final paragraph alone on Smashwords (where she'd originally uploaded it). My GoodReads and Smashwords reviews also received 2-star ratings.

Ouch.

Yeah, I know.

I don't know what made me dislike Crushed so much, but I did. Maybe it was having just read an amazing professionally-published book just before it. Maybe I wanted to read the next book on my list too much. Maybe it was never connecting with the main character. Or maybe I was just in a pissy mood.

To make me feel even worse, it seemed like absolutely everyone else who'd read it (and reviewed) rated it at 4 or 5 stars. What was my problem?

What was your problem?

I don't know. But I wasn't going to lie about it. I wasn't going to suddenly say, "Wait guys, just kidding, I loved it!" Cause I really didn't. But I felt like I needed to fix my review...so I did:



So you see, I do try to promote the book I read, even if I wasn't too thrilled myself.

But why do it in the first place? What makes you so great?

Honestly? Nothing. I just enjoy reading and writing about what I read.

And why I do it? Well, in theory, I'd love my reviews to spark conversations. I kinda miss the book-fueled conversations we'd have in school, even if they were assigned reads. And even outside of school, I met some great friends while bonding over Harry Potter. By sharing what I read, I'd love if my work somehow facilitated a bond like what I have with my friends.

I'd also love if my reviews prompted someone to read and enjoy a book they'd otherwise not have read. When I was in school, we were forced to read so many depressing books. One year we even had the theme "Man's Inhumanity Towards Man", for which we read A Farewell to Arms, Of Mice and Men, Night, and The Crucible one right after the other. I remember thinking to myself, "No wonder some people hate reading! If this is all they're ever made to read, I'd hate reading, too."

So I'd like to think I'm doing my small part in promoting good literature. I may not reach thousands, or even hundreds of people, but I'm doing what I love.

And if, in the process, I step on some toes or ruffle some feathers, I'm sorry. I always try to be as polite and tactful as I can be, but in the end I'm not going to stifle my opinion. If someone has a problem with what or how I write, please critique me!

And that's why I critique and review. So...we good?

Please do let me know what you think.
Love, hate, agree, disagree - I want to know!

Thursday, March 15, 2012

When Posting, How Polite is Too Polite?


I was entering a few book giveaways on Goodreads.com the other day (yes, I’m officially hooked on that “giveaway crack”) and whenever I came across a compelling new (to me) YA book, I would click on the author’s website or blog to check it out.

It was a really nice way to get to know more about some fellow YA authors and I ran across one in particular who was a grade-A, hmmm, how should I put this? A grade-A… personality. And I mean that in the epically most awesome way ever.

Seriously; she had attitude to spare and it was such a… revelation. I think she was ranting about some bad review or another and just really going to town; about readers, writers, publishers, the whole ball of wax. It was great to read because I was like, “Wow, she said what she really wanted in a really honest and unvarnished way… and no one’s running her out of town with pitchforks and torches!”

Personally, I try to come off as very polite, non-feather-ruffling and generally a helpful, nurturing kind of guy. Part of that is the teacher in me; I was trained to be politically correct, helpful, nurturing and generally stay in control of my emotions in front of a class full of kids.

Part of that is just me; if you meet me I pretty much am polite, helpful, calm, even-keeled, etc. But it’s not ALL of me. Drive with me for five minutes and you’ll hear enough cussing to get an NC-17 rating. Stick around while I read a bad review and you’ll hear a whole lot more! And I certainly have VERY strong feelings about writing, reading, reviews, bad reviews, publishing, agents, eBooks, print books and more.

I just always figured I should avoid sharing that hardcore, personal or angry or venting or rant-y stuff with my young, impressionable readers. Then I remembered, most YAs don’t exactly flock to my blog! (Come to think of it, most adults don’t either!) And even if they did, wouldn’t they prefer getting the “real” me versus the watered down version?

It’s not that I’m some big, fat phony when I post. I’m always honest, but I’m generally… polite. I don’t swear or foam at the mouth or rant and rave and, well, would it be so terribly bad if I did once in awhile?

So, I dunno, reading that YA author’s blog the other day was a real revelation. It kind of made it “okay” to be me, or at least a little bit more like the real me.

I don’t think I’ll be swearing and ranting and raving like this one author, but she’s far from alone. I know of several YA author blogs where writers, readers, even reviewers are quite frank, fun, wise, sarcastic, sassy and with plenty of… personality.

So what do you think? How polite is too polite? Or should bloggers abide by a certain “code” and keep themselves to themselves? Comment boxes are open; fire away!"

Yours in YA,

Rusty
~~~
My Reply:
I'm in the same boat as you are. I try to be as polite and tactful in my posts (even my negative ones) while still infusing my personality in what I write. Whenever I read over something of mine and go "Ooh, that's a bit harsh," I delete and re-write it in a less-harsh way.

At the same time, I enjoy reading a couple other blogs that don't hold back anything. They think it - they write it. Sometimes I agree with them, and sometimes I can only wince as books I love get flaming tomatoes thrown at them.

I think that by all means, you shouldn't censor your thoughts or emotions. If something pisses you off, and you think it's worth posting about it, go right ahead.

But most importantly, you still need to tailor your posts to the audience you want to attract. Language, content, and subject matter should focus on them. If you want a blog that can be read by teachers, parents, and teens, you're probably going to be a lot tamer than, say, just writing for high-school/college age.

Most importantly, and I think all writers know this (or will eventually), you can't appeal to everyone. You gotta do what you know how to do, and what you like to do. If you prefer your writing to ruffle feathers, and enjoy reading the responses of such, go for it.

Thanks, Rusty!

Wednesday, October 13, 2010

Design Updates

I'm thinking of changing some things.

You see, I've noticed a wee bit of scroll-lag,
and I'm none too happy about it.

You may have already noticed some small tweaks here and there:
Changing some headers,
Condensing some links,
Removing a badge,
Etcetera.

But the lag is still here.

About the only thing left is the template design.

So, since I'm going to be changing things anyway,
I'd like a little input from You, the reader.

How's the color-scheme?
Is there enough space?
Is the title-image too large?
Do you want boxes in the sidebar?
Corners or round-offs?

Now's your chance to leave your two cents.
Just leave me a comment below
and a week from today I'll officially start the renovations (big or small).

P.S. For more feedback fun, check out my polls at the bottom of the page!

Wednesday, February 10, 2010

"Nothing Personal"

Greetings visitors!

Welcome back to my humble abode. I hope the passage of time has treated you well. It's been a bland week for me. The Superbowl offered a nice distraction, but the commercials weren't nearly as great as years past, and I'm still having a hard run getting my schedule back on track.
I did, however, find some time to write this week, and I'm quite pleased with the results. Here's the backstory (skip down to the center title if you don't really care):

Junior Year at Linfield, I took a Creative Writing course on the art of Short Stories. One of the exercises went like so:
Write two pages (500-600 words) showing EITHER some kind of fight taking place in some kind of a museum, OR some kind of a love scene taking place in some kind of a factory. Use any point-of-view, any characters you want to. It can be romantic, comic, satirical, tragic, realistic, absurd, subtle, outrageous, set in past, present, or future, here, there or where-have-you--or any combination of the above. Write vividly and precisely. It may be an entire short-short-story or just a scene from some implied long thing. Suit yourself. Make it yours.
I chose the first topic, and wrote the following piece.

~~~

Differing Tactics

“There has got to be an easier way to do this.” A bead of sweat slithered its way down his cheek as he took in the sight of the ancient artifact for the second time that day. Having scoped out the museum during the day, making mental notes of every inch of that display and its surrounding area, there was only the mental preparations to worry about now. Taking a deep breath, he closed his eyes and counted backward in his head from fifty. It didn’t take long for his face and body to show the effects of the exercise: his jaw unclenched, back straightened, fists released and hung at his sides, even his face seemed softer after only ten counts had passed.

With the initial phase complete, he began running over the plan step by step. 38 – make sure the lasers are still shorted out – 37 – take out knife and cut glass – 36 – lengthwise so as not to trip weight sensors – 35... Time was meaningless if he made a mistake, so he took as long as he needed, slowing down his counting as he reached the last ten. As usual, he put his mind to focusing on even the softest beeps and clicks, the slightest breeze of air, imagining the most irrational and fearsome implication of each. His breathing sped up; his blood pounded in his ears; his eyes snapped this way and that behind his eyelids. There were only a few counts left now – 5 – I’m not gonna make it out this time – 4 – they’ll be here any second – 3 – Ma always said I’d end up in the clink – 2 – why didn’t I move to Jersey? – 1 – DO IT NOW!!!

His eyes flew open and his hands raced to pull out his knife quick as a hummingbird taking flight. The adrenaline had done the trick, giving him sharper movements and reflexes that allowed him to work with twice the speed he normally possessed. His expression was neither fearful nor twitchy, but rather confidant and calm. The knife was up to the glass now, just about to begin its work…

…when a blast of air picked him up and sent him skidding sideways, whipping the knife right out of his hand and clattering to the floor. Coming to a stop in a crouch, he looked up toward where the gust had originated only to see a red haired woman standing in the doorway. Squinting to examine her more clearly, he could see her lips were pursed in a scowl, and one hand rested on her hip while the other hung at her side. Possibly the most surprising thing about her appearance, other than her being there in the first place, were her clothes. He, of course, had worn the protocol slim black clothing so as to reduce visibility, whereas this woman was dressed in somewhat baggy dark jeans and a red blouse almost as vibrant as her hair, which seemed aflame in the light streaming in from the window.

Raising himself up again, he whispered sharply to the intruder, “What’s the big idea?! Who the hell are you?! And where the hell did that wind come from?!” He hadn’t known that her eyes were not on him until now, their blood-red hue sending a shiver up his spine and stopping his breath inside his chest. Surely their glow was just a reflection of the moonlight from outside, but there was something about her smile that gave him doubts.

“Funny you should mention Hell… But my identity and the wind are of no significance to you.” Her voice sent another bout of shivers up his spine, but he was less aware of it this time as she approached him, heels clicking on the museum tile. “My, isn’t this a lovely sight for a first meeting? Surrounded by treasures of old, bathed in the light of the moon, and completely…alone.” She pressed a fingertip under his chin, drawing it upward and locking her eyes with his. He could have moved, could have resisted, but as he stood there, nearly limp at her touch, he felt like the happiest man in the world…

…and so he died with a smile on his face as, in one swift movement, the woman grabbed hold of his throat and snapped his neck. He was found the next morning, along with a smashed case where the Goblet of Aello had once been.

~~~

Years passed, and I joined the Writer's-Workshop group on DeviantArt (http://writers-workshop.deviantart.com/). Last month, the project was to write a short piece (600-800 words) involving a complex character and to make sure to "SHOW, not tell". I found the challenge intriguing, but decided that the above piece already fit the description fairly well. So I tweaked the ending a bit and submitted the piece under the new title "Nothing Personal".

At the end of the month, my piece was featured among three that the leader thought best utilized the workshop goals. I felt slightly guilty that I hadn't tried my hand at something new. But then I decided to take the critiques I'd gotten and re-work the piece to make it better - something that I'm sorry to say I have a bad habit of not doing.

Here is the finished (for now) product.

~~~

Nothing Personal

“Hold on just a minute, m’ dear, I’ll have you out shortly.” The ancient goblet sat under its protective glass, just as it had been, looking quite…well, bored. Surely it must be, sitting in a museum all day with the occasional tourist giving it half a glance at best. To coddle it against dust and dirt like an invalid––why, it was an insult! Soon it would be out among its admirers, taking chance in its existence like everyone else once again. And he would be the one to free it.

The last echoes of his footsteps faded, leaving him in silence. The whirring of the cameras had already succumbed to the power-cut he’d implemented. Now, only the moonlight and his tools remained as his accomplices. He took one last glance around the hall, making sure nothing was out of order among the other residents since the last time he’d visited. Tapestries hanging limply, paintings posing stiffly, marble and tile looking on coldly––yes, they all seemed to be in order. Not happy, perhaps, but complacent enough.

Turning back to his prize, he took a deep breath and closed his eyes. At first he focused on even the softest noises––a cricket’s chirp, a whine of worn brakes, his own breath whooshing in and out––imagining the most irrational and fearsome implication of each. Then he forced himself to block out each of those petty annoyances and turn his attention inward. Internally, he began at fifty and counted down from there. It didn’t take long for his face and body to show the effects of the exercise: his jaw unclenched, back straightened, fists released and hung at his sides, even his face seemed softer after only ten counts had passed.

With the initial phase complete, he began running over the plan step by step. 38 – make sure the lasers are still shorted out – 37 – take out knife and cut glass – 36 – lengthwise so as not to trip weight sensors – 35... Time was meaningless if he made a mistake, so he took as long as he needed. A bead of sweat slithered down his cheek as he continued counting, his thoughts ranged from specific processes to what he would do with the goblet once it was in hand.

As the numbers grew smaller, it seemed as if all his hard work had been for naught: his breathing sped up, his blood pounded in his ears, his eyes snapped this way and that behind his eyelids. There were only a few counts left now – 5 – I’m not gonna make it out this time – 4 – They’ll be here any second – 3 – Ma always said I’d end up in the clink – 2 – Why didn’t I move to Jersey? – 1 – DO IT NOW!!!

His eyes flew open and the knife was in his hand almost faster than their shadows could follow. The knife was at the glass, slicing horizontally with the speed and precision of a practiced surgeon. And perhaps he would assume that title himself; for a surgeon used cutting to remove objects of harm from beauty, and he used the same technique to remove objects of beauty from harm. He allowed himself a grin as he separated the top of the glass case from its four walls.

“Just stand still, love, this won’t hurt a bit.” Moving his blade to his teeth, he passed the glass top into one hand and reached for his prize…

…When a shadow fell across his hand. He snapped his eyes upward, but a blast of air picked him up and sent him skidding across the room, whipping the glass out of his hand and shattering into a tapestry. Coming to a stop in a crouch, he snatched his knife from his teeth, nicking his cheek in the process, and scanned the room for his attacker. When no one met his eyes in the moonlit hall, he refocused on the shadow and followed it upward, finally finding its owner standing in one of the upper windows.

It was a woman. It had to be. Her red hair stood out clearly, not orange at all, but a bright red that flowed down around her shoulders. And if that weren’t loud enough to set off all the alarms in here, there were her clothes. He, of course, had worn the protocol slim black clothing and black hat so as to reduce visibility and evidence, whereas this woman was dressed in jet black pants and a red jacket almost as vibrant as her hair. Her face was in shadow, but her outline––right hand on her hip, the other at her side in a fist, weight shifted to one side––suggested that she was as happy about company as he was.

Raising himself up again, he glanced toward the exit, shifting his weight from foot to foot. When he returned his eyes to the woman, she was already on the ground, heels clicking on the cold tiles as she approached him. He took a step back, holding his knife––unimposing as it was––in front of him. He whispered sharply to the intruder, “W-what’s the big idea?! Who are you, and what the hell was that?!”

Now that she was on the same level as he, he’d thought she would look less imposing, but her clear features and cocky gait only served to unnerve him more. Her skin was flawless; her lips curled into a smirk; she had a slight crook to her nose, as if it had been broken once, but it only heightened her beauty; and then there were her eyes, their crimson hue stopping his breath inside his chest. Surely their glow was just a reflection of something––the moonlight from outside bouncing off some glass, perhaps––but there was something about her smile that gave him doubts.

“Funny you should mention Hell… But my identity is of no significance to you.” Her voice sent his heart pounding faster. He shouldn’t still be here. The crash would have attracted the guards. They’d be on him any second. And this woman––this admittedly gorgeous woman––shouldn’t be here. This was his prize, his trophy, his damsel. What right did this woman have to it? She was ruining everything. How’d she even get in here? He hadn’t heard a thing. And was that window even open? Who was she? She was an obstacle, that was all, and one he’d have to deal with quickly. He could feel his skin flush with another round of adrenaline…but there was a heat in this blood that was not caused by fear or hate.

“My, isn’t this a lovely sight for a first meeting? Surrounded by treasures of old, bathed in the light of the moon, and completely…alone.” Suddenly she was in front of him, placing a fingertip under his chin and drawing it upward so their eyes could lock. He stood there, his mind barely registering the thoughts of fear and alarm that had filled it a moment before. His efforts had all been for this moment. His prize was her unwavering gaze. His knife was for… Wait, wasn’t that for something else?

That flicker of recognition was enough to snap him out of his daze, but it was also enough for the woman. Even his adrenaline-fueled speed wasn’t enough for, before he’d even had time to tighten his grip on his blade, she had moved her hand from his chin to his throat and snapped his neck.

He fell limply to the floor, blackness flooding his vision. But just before he vanished completely, he heard a low chuckle and two final words:

“Nothing personal.”

~~~

If you have any comments or critiques you'd like to offer, I'm always open. Feel free to either comment on this blog or on DeviantArt (http://stormywolf.deviantart.com/art/Nothing-Personal-151407489).

And I believe that's quite enough for one week. Until next time,

~Vicki